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Jan Brueghel the Younger(September 13, 1601 C September 1, 1678) was a Flemish Baroque painter, and the son of Jan Brueghel the Elder.
He was trained by his father and spent his career producing works in a similar style. Along with his brother Ambrosius, he produced landscapes, allegorical scenes and other works of meticulous detail. Brueghel also copied works by his father and sold them with his father's signature. His work is distinguishable from that of his parent by being less well executed and lighter.
Jan the Younger was traveling in Italy when his father died of cholera and swiftly returned to take control of the Antwerp studio. He soon established himself and was made dean of the Guild of Saint Luke in 1630. That same year he was commissioned by the French court to paint Adam Cycle. In the following years, he also produced paintings for the Austrian court, and worked independently in Paris, before returning to Antwerp in 1657. He collaborated with a number of prominent artists including Rubens, Hendrick van Balen (1575-1632), Adriaen Stalbemt (1580-1682), Lucas Van Uden (1596-1672), David Teniers the Younger and his father-in-law Janssen. Jan the Younger's best works are his extensive landscapes, either under his own name or made for other artists such as Hendrick van Balen as backgrounds.
Benjamin Duterrau1767 - 1851 , was an artist in England and in early colonial Australia. Duterrau was was born in London to parents of French descent. Duterrau was apprenticed to an engraver and in 1790 did two coloured stipple engravings after Morland, The Farmer's Door and The Squire's Door. Taking up painting, between 1817 and 1823 he exhibited six portraits at Royal Academy exhibitions, and he also exhibited three genre pieces at the British Institution about the same period. Duterrau emigrated to Van Diemen's Land (now Tasmania), arriving in August 1832 with his daughter. He lived at the corner of Campbell and Patrick Streets in Hobart, and practised as a portrait painter. In 1835 he did some etchings of Indigenous Australians, the first examples of that craft to be done in Australia. His most famous painting The Conciliation is in the Hobart gallery with a self-portrait and other works, including some modelling in relief. A large landscape is in the Beattie collection at Launceston, and he is also represented in the Dixson collection at Sydney. Duterrau died at Hobart in 1851.
Carl Schuch (30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes.
During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).